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Bronco Polo

Lisez-moi

We've spoken again to our good friend François Boulene on the topic of his last two documentaries for French television, where he's made himself into the director, writer, digital artist and more at least!

Before we start, you need to know that we've previously spoken to François, on the topic of his documentary about Soeur Emmanuelle. You can read this interview at this location. For this reason, we're heading straight into questions about his two last projects, in which he really was the creator of everything - a documentary shown on France 5 last November called "The genies of the sea" and one that has recently been shown on France 3 called "Utopian Paris".

Were they both your own projects?

Yes, the Genies of the Sea was an order from France 5 with the participation of the National Museum of the Navy. It consisted of putting a Franco-Canadian exhibition, which took place in the Trocadero in Paris until the end of February this year, on the screen.

The men from the museum asked me to make a documentary that wasn't too "didactic". They really wanted more to give an impression of the exhibition rather than just a documentary about the figureheads for ships. I wrote a four-page script, showed it to my two contacts, we redid a couple of things and it was good to go.

I've also recently finished a film for France 3 about utopian architecture in Paris, I think it took about two-and-a-half months to do, with a month of that for the 3D. I work alone, so I don't know if that's very long considering the amount of work. It had been a while since I last used Modeler, so I lost a bit of time getting back into it, but it was a calm month of work, not even nine-hour days.

The filming took 15 days. It was a simple filming schedule - interviews and views of Paris. I filmed everything, apart from three helicopter shots, with my DVX 2000. It took a month for the editing, compositing, mixing, retouching and so on.

The project was my idea, although it came from another exhibition, at Paris' town hall: "Paris in the Year 2000". Since then I've wanted to make the film, but time passes really quickly...

I did the editing, most of the sound, the 2D and the 3D (in LightWave 7.5c, what else?), the mixing and final touches. Freedom is finally acquired thanks to the Video Toaster and NewTek.

(MPEG - 9.96 MB)

The figureheads are beautiful. Have you got a favourite?

The figureheads are magnificent. There aren't very many left in France - a country that doesn't have a very strong maritime tradition. They give us an idea of the size of the ships that carried them. I think that I prefer the Indian to the turtle.

 

How long did you spend on research for the Genies of the Sea?

About a month. I was helped by the specialists from the museum who are extremely competent in their fields and who shared all their knowledge with us. I filmed for about ten days - a week outside in a team of two (myself and Fabienne, my assistant and wife and the DVX 2000) - and the rest of the time in the museum with a team of six technicians and a crane for the camera (a Sony DSR 570). The editing, special effects and so on took a good month as well.

Bronco Polo  
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